The picture.

It can move us, reveal us, pierce us.

It can be a trace, a proof, a memory.

It can be false, fictional or virtual.

Through painting, drawing, video or installation, Mickaël exposes his point of view on today's image. He moves back and forth between the tangible and the digital, the still and the moving, questioning the very nature of his subject. Drawing on various fields where the image is present, such as social networks, cinema and current affairs, he hybridizes his discourse.

At present, he is exploring a three-stage plastic research represented by the colors of the screen:
Past / red, present / green and future / blue.
Red, processing the surviving image, implanted in a memory.

Green, processing with latent image, manipulable and actual images.

Blue, processing the possible image, fictional and virtual image.