La genèse des lendemains is an update of my previous research, Devant le langage sans souffle.

In the manner of Pieter Brueghel's realistic, human scenes, or of Hieronymus Bosch's violent, fantastical scenes, this triptych displays various images of past events on the same plane, swarming and invading the space.

Carefully cropped out and decontextualized from their media, they form a new device for producing fiction, placing the viewer as a potential actor in front of the film studio, where special effects are produced.